The kids aren’t alright…

Horror is an extraordinarily difficult genre to get right. In the desperate search to scare the bejeebus out of a wide and varied audience, and although they may have the very best intentions, film-makers all too easily descend into cliché. It’s far simpler to employ tried and tested formulas for fright than to think up something unique. At worst, these by the numbers shockers are utter trash; at best they are fairly entertaining but instantly forgettable. The Unborn is one of the latter.

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