Red Riding Hood (2011)


Greenlighting this updated Red Riding Hood must have seemed like a no-brainer; combine the current trend for modern gothic – angst-ridden vampires and emotionally conflicted werewolves – with the familiar set up of an ever-green fairy tale, a beautiful cast and the director of the teen behemoth Twilight and you’ve got a sure fire winner, right? But, as so often happens, it seems that so much stock has been placed in replicating a seemingly winning formula that no care was taken to ensure that the resulting film had any emotional heart, or even a cohesive narrative.

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New Town Killers (2008)

We’ll live and die in these towns…

The theme of sadism for kicks has become something of a staple in modern cinema – think Michael Haneke’s Funny Games, for example, or Chan-wook Park’s Oldboy. It seems that it’s no longer enough for protagonists to commit heinous acts out of psychological compulsion or desire for revenge; it’s far more chilling to watch people willingly inflict violence on their fellow man for no other reason than to get their kicks. And, although Richard Jobson’s New Town Killers won’t set the British thriller genre alight, it’s certainly a disturbing viewing experience.

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