Only Lovers Left Alive (2013)

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Just as he did with the Samurai genre in 1999’s Ghost Dog: The Way of the Samurai, writer/director Jim Jarmusch now gives us an entirely different perspective on the vampire movie. A sparkling script and charismatic cast injects a new burst of life into a genre that’s become pallid and toothless thanks to blood-sucking franchises and adolescent fantasies and, together with Neil Marshall’s recent Byzantium, resurrects the vampire as an entirely adult anti-hero.

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