mother! (2017)

As a filmmaker, Darren Aronofsky has never been one to shy away from the extremes of human behaviour, whether exploring its darkest heart, exposing its deepest psychosis or celebrating its brightest achievements. His latest, mother!, is thematically similar to his Oscar-winning Black Swan, in that it embraces both the lure and lunacy of artistic ambition. Whereas Black Swan was a beguiling, beautifully crafted psychological drama, however, this is an infuriating exercise of cacophonous style over substance.

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Black Swan (2010)

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Just as he did with 2008’s The Wrestler, Darren Aronofsky—together with his carefully chosen creative team—has constructed a fascinating world in which plays out a captivating psychological drama. Whereas his previous film unfolded in the testosterone-fuelled environment of professional wrestling, Black Swan’s setting is the polar opposite realm of the ballerina. But that’s not to say the character study contained within is any less powerful; indeed, this tale of ambition, awakening and desire has just as much impact.

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