Only Lovers Left Alive (2013)

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Just as he did with the Samurai genre in 1999’s Ghost Dog: The Way of the Samurai, writer/director Jim Jarmusch now gives us an entirely different perspective on the vampire movie. A sparkling script and charismatic cast injects a new burst of life into a genre that’s become pallid and toothless thanks to blood-sucking franchises and adolescent fantasies and, together with Neil Marshall’s recent Byzantium, resurrects the vampire as an entirely adult anti-hero.

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Man on a Ledge (2012)

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For his feature debut, Danish filmmaker Asger Leth follows his 2006 documentary Ghosts of Cite Soleil (co-directed with Milos Loncarevic) with something entirely different; a high concept action thriller that is about as Hollywood as they come. That’s to say that everything is overblown, from premise to location and effects, and – like so many of its genre – it’s entirely throwaway.

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The King’s Speech (2010)

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The King’s Speech has an awful lot to live up to as it makes its home entertainment debut. Not only did it win a clutch of awards, including four Oscars, but it’s been proclaimed as the saviour of modern British cinema by commentators from every corner of the industry. It’s rare for a film to satisfy that amount of hype, and often those who have waited to catch a must-see movie in the comfort of their own home are left wondering what all the fuss is about. Not so here; this film is a genuine delight.

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